![Hounds of love scene](https://knopkazmeya.com/5.png)
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You think she's prettier than me, she whines. She doesn't mind him torturing and killing these girls, but she won't have him fancying them. When they abduct Vicky, Evelyn's insecurities just get worse.
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The social workers have taken her kids away and she's desperate to get them back at the same time, she's terrified John will leave her. Outside the house, John is a weedy guy who is easily intimidated by local toughs inside the house he's a master manipulator of Evelyn's vast well of loneliness and insecurity. He offers us a sophisticated guess at the dynamics that might produce a pair of suburban killers like John and Evelyn and it's compelling, partly because they see themselves as "normal". Ben Young, who grew up in Perth, read about a number of different cases, inspired by his mother's work as a crime writer. Hounds of Love is not based on a true story, although it feels like it is. I'm guessing that's part of the reason for the period setting: Young wants us to think people were more innocent in the late 1970s (debatable), or at least more gullible. Evelyn does her part, by guessing what each girl might be looking for. The abduction relies on psychology: the victims get in the car willingly, when they see there is a woman. She is angry at mother Maggie (Susie Porter) for leaving her dad. Vicki (Ashleigh Cummings), a wilful 16-year-old, sneaks out of her mother's house at night. Director Ben Young and Emma Booth on set of Hounds of Love.
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